Programme Notes

Image for Zama and Lucrecia Martel’s Unique Cinematic Language
Programme Notes

Zama and Lucrecia Martel’s Unique Cinematic Language

Zama Programme Notes by Jessica McGoff

Image for The Young Karl Marx
Programme Notes

The Young Karl Marx

It’s truly extraordinary to think that only now, 200 years after his birth, is Karl Marx getting the big screen treatment

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Programme Notes


Custody serves up a timely exploration of patriarchal power and the failings of the justice system in domestic abuse cases.

Image for CineMasters: Wes Anderson
Programme Notes

CineMasters: Wes Anderson

Kevin Fullerton explores Wes' world

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Programme Notes

Have a Nice Day

Chinese writer/director/animator Liu Jian isn’t messing around with his new film Have a Nice Day.

Image for The Square
Programme Notes

The Square

Image for You Were Never Really Here
Programme Notes

You Were Never Really Here

Known for her complex characters and cutting-edge filmmaking, Lynne Ramsay’s latest work can draw comparisons to her previous films.

Image for A Fantastic Woman
Programme Notes

A Fantastic Woman

Marc David Jacobs discusses the Oscar winning feature

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Programme Notes


Nathanael Smith writes about Andrey Zvyagintsev's Oscar-nominated Loveless

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Programme Notes

One Hand, Sewing: Phantom Thread

Marc David Jacobs explores the latest film from Paul Thomas Anderson

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Programme Notes

Three Billboards

Ali Harkness discusses the latest film from In Bruges director, Martin McDonagh

Image for CineMasters: Paul Thomas Anderson
Programme Notes

CineMasters: Paul Thomas Anderson

Marc David Jacobs writes the Programme Note to accompany our 35mm CineMasters: PT Anderson season

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