Image for Programme Notes: Queen & Slim
Programme Notes

Programme Notes: Queen & Slim

Sanne Jehoul takes a look at Queen and Slim and the questions it raises

Image for Programme Notes: Waves
Programme Notes

Programme Notes: Waves

​​​​Layla-Roxanne Hill looks at Waves in the context of Black cinematic stories and the people telling them.

Image for Programme Notes: Jojo Rabbit
Programme Notes

Programme Notes: Jojo Rabbit

Waititi's use of innocents allows him to explore his interest in characters who not only wish to believe, but wish to convince others to believe them.

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The Best of 2019

The best films of the year, according to us...

Image for Programme Notes: La Dolce Vita
Programme Notes

Programme Notes: La Dolce Vita

With the film arriving in cinemas to celebrate the filmmaker’s 100th birthday, La Dolce Vita’s lasting presence in cinema is a testament to the immortal Fellini.

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GFT in 2019

Our Finance/Commercial Director and general man with the stats, David Gattens, looks back on the highlights of the year at GFT.

Image for Programme Notes: So Long, My Son
Programme Notes

Programme Notes: So Long, My Son

One of the main themes of the film is the one-child policy adopted by the Chinese government in 1970s to limit China’s population growth.

Image for Programme Notes: Marriage Story
Programme Notes

Programme Notes: Marriage Story

Noah Baumbach, as is the case with many writer-directors, likes to mine his own life for material.

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New CEO of Glasgow Film Announced

Glasgow Film have today announced their new CEO following Jaki McDougall’s decision to step down after 20 years at the helm.

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A life-saving donation

Huge thanks to Eileen Carroll who has donated a defibrillator to GFT in memory of her dad Jack Littman.

Image for Programme Notes: Sorry We Missed You
Programme Notes

Programme Notes: Sorry We Missed You

Ken Loach has been a thorn in the side of unjust institutions since the start of his career.

Image for Programme Notes: Monos
Programme Notes

Programme Notes: Monos

Life is fluid and full of contrasts in Monos, the third film from Colombian-Ecuadorian director Alejandro Landes.

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