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Programme Notes

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Programme Notes

A Ghost Story

Sean Greenhorn discusses A Ghost Story's hypnotic explorations of time and the afterlife

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Programme Notes

Dunkirk

Dunkirk marks a decisive new phase in Nolan's filmography, Marc David Jacobs discusses why.

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Programme Notes

The Midwife

Sophie Tupholme explores the themes in the latest film from Martin Provost

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Programme Notes

CineMasters: Sofia Coppola

“I just feel like I have a feminine point of view and I’m happy to put that out there. We certainly have enough masculine ones.”

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Programme Notes

My Cousin Rachel

Fiona Barnett discusses the new adaptation of Daphne du Maurier's novel.

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Programme Notes

My Life As a Courgette

'Animation, at its best, is a medium that can use drawings, or stop motion, or computer generated-images, to create unforgettable images.'

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Programme Notes

The Other Side of Hope

Aki Kaurismäki never does things conventionally. Nathanael Smith looks at his latest feature, The Other Side of Hope.

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Programme Notes

CineMasters: Fassbinder Programme Note

Dr Martin Brady discusses the work and influences of one of the most prolific and important directors in the Federal Republic of Germany

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Programme Notes

Frantz Programme Note

Exploring François Ozon’s repeated and remarkably consistent motifs in Frantz

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Programme Notes

Nothing Up Their Sleeves - The Handmaiden

With a story revolving around the intricacies of the long con, it seems appropriate that few films readily evade precise classification in the way that The Handmaiden does.

Image for CineMasters: David Lynch Programme Note
Programme Notes

CineMasters: David Lynch Programme Note

‘In a sense all film is entering into someone else's dreams. Maybe we can even share the same dreams, exchange the same experiences.’

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Programme Notes

The Salesman Programme Note

The Salesman asks its audience a queasy question, one with no easy answers: what would you do?

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